With “Sweet Foxhound,” The House Flies immediately prove that their brand of gothic post-punk is anything but recycled sound. The Midwest collective has returned after 2024’s Mannequin Deposit with a single that feels both born of that same era and yet perfectly evolved. Listeners are transported into an atmospheric immersion from its guitar swells, groovin’ basslines, and vocals that hypnotize as much as they haunt. It creates an almost cinematic feel that builds and builds until it crashes over you in waves.

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Prince Philippe has always carried himself like someone meant to blur boundaries. Raised in Verona in a family of musicians, formally trained in both modern and jazz, and later tempered by the grind of Atlanta’s R&B scene, his trajectory is anything but conventional. That mix of worlds comes alive in his latest single, “Hour of Need”, a vibrant pop-R&B track that not only grooves effortlessly but also signals a new era for the young artist as he prepares to roll out his ambitious project TGT through 2025 and 2026.

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Zack King has bottled up the restless energy of pop-punk’s golden age and unleashed it with a modern edge on his new album, Songs I Wrote Instead of Texting You. Across twelve tightly wound tracks clocking in at just under half an hour, King brings the same giddy urgency and emotional candor that made the genre iconic, while carving out his own voice as both a torchbearer and innovator.

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On “THANATOS,” MURDAH SRVC pulls off something that feels like a time capsule! It’s a track that could easily have soundtracked the dancefloors of the late ’90s while feeling fully alive in 2025. At its core, the song channels the irresistible pull of dance and house music, yet it refuses to be just another nostalgia trip. Instead, it uses that familiar foundation as a springboard for something richer and more cinematic.

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With “L’instant d’après”, Indolore returns and manages to condense an entire world of feeling into just two minutes. The French singer-songwriter has long been admired for his understated ability to balance fragility with strength, and this new single, his first from the upcoming EP La Vide Face A, is perhaps his most distilled statement yet.

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A song that’s immediately timeless yet modern, pulling from the classics while carving out a new lane of their own. Bruno D’Ambra’s latest single “Kind of Love,” is one of those rare gems. It’s a three-minute slice of joy that blends jazz sophistication with Mediterranean warmth and filmesque style. Released on September 1st, 2025, the track fully reaffirms his reputation as one of London’s most inventive musicians.

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In a hip-hop landscape where trend chasing often dominates, John Keenan has gone the opposite direction. Wreckage of the Past is a sprawling, 18-track experience of independence & personal excavation. Written, produced, mixed, and mastered entirely by Keenan, the album is as uncompromising as it is ambitious. It fuses hip-hop with funk, jazziness, and orchestral textures.

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Thriving on its own contradictions, turning “perceived” limitations into strengths, she’s managed to crack the code here. That’s exactly what Lucid Letters achieves with “Briefcase,” a clever and confident self-aware single that plants its flag at the intersection of 90’s hip hop homage and pop vision. It’s bold, stylish, and loaded with personality, making the kind of track that makes you lean in, and then keep replaying because it’s just that addictive.

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Brooklyn-born punk rock band Tired Radio have always thrived on emotion, grit, and the kind of unfiltered honesty that makes their music feel less like performance and more like confession. On Hope in the Haze, their latest LP and first release through Red Scare Industries, the band sharpens that edge into something even more compelling: a 35-minute masterclass in anthemic punk that is as bruising as it is uplifting.

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Soulful yet unassuming, gospel-rooted yet supple enough to glide through folk and R&B with ease, this record has it all! On Ripples of the Past, Ray Curenton’s most intimate and stripped-down album to date, that voice becomes the centerpiece of a project that feels less like a collection of songs and more like a memoir set to music.

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At only 20 years old, Atlanta native Ben Heinze, better known as 4 YEARS LATER, has crafted a full-length album that feels as self-assured as it is deeply vulnerable. Make Me Make Sense, released August 22nd, 2025, is more than just an introduction; it’s a declaration of intent from an artist who has figured out how to take the chaos of youth and translate it into something beautiful, resonant, and profoundly human.

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Hilary Cousins has always carried himself like a songwriter who understands the weight of tradition but refuses to be shackled by it. With his newest single, “Road to Corinth”, he steps firmly into that lineage of indie folk-rock storytellers who draw from the past to illuminate something raw and present. What emerges is a track that is both timeless in its Americana roots and refreshingly bold in its construction.

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There’s something quietly radical about an artist who chooses restraint in an age defined by excess. On his debut album Joya, Josi Costi steps away from the noise and distraction of modern production and instead embraces intimacy, warmth, and a raw experience. The result is a collection of songs that feel as lived-in as the Richmond home where they were recorded. It’s honest and brimming with the quiet confidence of a songwriter finally finding his voice.

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Brian Hunsaker has always walked the line between metal’s fire and melodic rock’s emotional sweep, but with “Power Over You” he manages to elevate both. The new single, following July’s “Haunted,” is a cinematic explosion becoming equal parts power ballad and progressive odyssey. It’s the sound of an artist confidently leaning into grandeur while keeping the human core intact.

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Baaj & Baaj is the rare kind of artist who can stand firmly in the past while pulling the future closer with every note. With Echoes in the Mind, French singer and songwriter Jean-Philippe delivers a four-track EP that feels like both a love letter to the synth-heavy anthems of the ’80s and a bold, modern statement too. It’s indie pop with an undercurrent of melancholia, a lush and cinematic listen that thrives on atmosphere without losing its sharp sense of melody.

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Aldo Volt’s latest single, Disco Berlin, is a shimmering collision of retro grooves and modern melancholy. Immediately, it’s a track that feels like a euphoric party anthem and an introspective late-night reflection. Sung entirely in French, it’s a dazzling blend of synthwave, French pop, and indie rock, all wonderfully stitched together with a neon glow that pulses with both joy and longing.

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Few artists embody the arc of artistic evolution and personal transformation quite like Yusuf / Cat Stevens. For nearly six decades, his songs have been woven into the fabric of global consciousness — equal parts intimate confession, social reflection, and spiritual quest. Now, with the release of On The Road To Findout: Greatest Hits, just out on September 12, 2025, listeners are offered the first truly career-spanning collection that gathers the highlights of his extraordinary catalog into one definitive statement.

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At just 18 years old, Kenya Reese is already stepping into country music with the confidence and vision of a veteran. Her debut album, Trailblazer, released September 5th, 2025, is more than a collection of songs, it’s a declaration. True to its title, Reese is charting her own course, blending the roots of country tradition with the vitality of a modern generation. The result is an album that feels both timeless and brand new, reverent and rebellious all at once.

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Carson Beyer has been steadily carving out his lane in modern country, but with “Reason To Stay” he delivers what feels like a career-defining statement. Released on August 29th, the single finds the Nashville-based singer-songwriter at his most raw and most resonant, a minimal yet powerful track that strips country music down to its barest essentials: a voice, a story, and the emotional weight to make both unforgettable.

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Portland’s The Blazing Suns have always thrived on a kind of sonic restlessness. Frontman Jimmy Ling has made it clear that pinning their music down to a single genre is a losing game, and that’s exactly what makes Transcendence such a joy. Originally released last year, the band’s four-song EP has been remixed and remastered into a gleaming, full-bodied showcase of everything they do best: groove-heavy rhythms, sky-scraping melodies, and an irresistible balance of fun and depth.

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