When something was made in a place that has sincere meaning to them, you can literally feel the soul ooze out of the music itself. On Lemon Moon EP, Anthony Presti transforms a beloved Sebastopol cottage into more than just a recording space, it almost becomes a character or a mood that’s become apart of the whole record. What’s emerged from that setting is a six song collection that feels less like a studio project and more like a memory you can step into.
There are songs that aim to comfort and then there are songs that dare to sit in the discomfort, to stare directly into grief, confusion, and anger without blinking. On “I DON’T BELIEVE IN GOD!”, Los Angeles-based artist Imani Archer chooses the latter, delivering a striking and emotionally unfiltered single that feels less like a performance and more like a reckoning. To call this perfection would still somehow be an understatement, we mean that.
Reimagining a song as culturally ingrained as “Every Breath You Take” is no small feat. It’s a track with a long shadow, one that’s been interpreted, dissected, and replayed across generations. However, Simon Orton doesn’t try to outshine or outmaneuver the original, he gently turns it on its side, letting a different kind of light spill across it. What emerges is a version that feels disarmingly human, stripped of its icy tension and reshaped into something warm and radiant.
Some songs feel written and others feel discovered, like they were patiently waiting in the wings for the right moment to step into the light. With “Finally,” London-based singer-songwriter Vianne delivers the latter. It’s a deeply intimate, emotionally rich ballad that doesn’t just mark a return, but a genuine reawakening.
As if everything they’ve released and we’ve reviewed in the past wasn’t amazing already, Blueprint Tokyo have somehow leveled up their special slice of indie rock on an EP that has completely taken us by hold. The Oklahoma City band have crafted a six-song arc that feels like it was carved out of pressure and patience. It thrives in the tension, the instrumental balance, with soaring harmonies that have legitimately been stuck in our heads since the first listen.