Sydney’s Northern Beaches have long been a quietly influential breeding ground for Australia’s most thoughtful, genre-defying artists — and with their debut album Dope Folk, Sky Juice Duo not only continue that tradition, they elevate it. The collaboration between Alby Gibson-Healey and Matthew Trapnell is a masterclass in atmosphere and intimacy, weaving a rich tapestry of ambient folk, singer-songwriter confessionals, and contemporary acoustic grooves laced with experimental touches.

Read More

With her latest single Satiety, CAVN takes a bold and beautiful step deeper into her own sonic universe — one where emotion doesn’t need a lyric to cut to the core. Following the promise of last year’s Mosaic EP, this new release feels like both an expansion and a refinement of her vision: a cinematic, intensely evocative instrumental piece that captures the chaos, tenderness, and volatility of obsessive love in a way words could never manage.

Read More

​​There’s a certain electricity when an artist taps into the sounds that first lit a fire under them, and on his latest single, Shoot to Kill, Doggett — the sharp-tongued, guitar-wielding alter ego of Simon Whitworth — channels that youthful defiance with thrilling precision. It’s a track that feels both retro and refreshingly current, a pop-punk adrenaline rush stitched together with the spirit of early new wave rebellion and the battle-worn honesty of a life lived on the fringes of heartbreak.

Read More

Jan Edwards has always been an artist unafraid to wander — through genres, moods, and deeply personal corners of her heart. From her Minneapolis roots to the Nashville circuits that sharpened her craft and now to sun-soaked Naples, Edwards has cultivated a sound that feels as boundless as her journey. On her new EP Love Love, she turns inward while still inviting listeners to bask in every shade of emotion, crafting a collection that feels both expansive and intimate.

Read More

gnomes have always existed in that curious space between introspection and levity — the kind of band that can wrap heavy themes in breezy melodies and leave you wondering how you’re smiling through your own existential dread. On Microclimbs, their latest EP and perhaps most daring evolution yet, the Berlin-based outfit lean further into that duality, trading some of their acoustic earnestness for electric textures, shimmering synths, and a bold, modern indie pop sensibility.

Read More

Italian producer and multi-instrumentalist Lawrence Fancelli, better known by his project Mouth Water, returns with a track that feels both timeless and completely of the moment. “Rise”, released June 27th on Through The Void Records, is a radiant, heart-swelling electro-pop anthem that captures the giddy optimism of reconnecting with old friends and rediscovering shared creative paths.

Read More

Melbourne’s One More Weekend are no strangers to delivering blistering, riff-driven anthems, but with their latest single Aunty Meredith, the alt-rock quartet have truly outdone themselves. It’s a ferocious, hypnotic ride from the first downstroke to the final cymbal crash — a searing, sweat-drenched statement from a band who’ve steadily been carving out a reputation as one of Australia’s most vital modern rock acts.

Read More

Amy Isenhour has always had a knack for delivering country songs that feel both rooted in tradition and boldly contemporary, and with her latest single, “Pretty & Reckless,” she’s struck gold once again. Released on June 20th, 2025, this latest offering might just be her fiercest and most unapologetic yet — a country-rock anthem tailor-made for open roads, packed honky-tonks, and late-night confessionals.

Read More

Every so often, a country song comes along that reminds you why the genre’s storytelling roots run so deep — why it can capture love, longing, and life’s quiet milestones with a grace few other genres manage. Michellar’s latest single, “Get Me There to Church,” is one of those songs. Warm, sincere, and beautiful, it’s a classic country Americana tune with heart, soul, and a modern sensibility that quietly demands attention.

Read More

If you’ve ever felt the ache of a story well told, or the quiet pull of a melody that feels older than the dirt beneath your feet, Art Schop’s new album The Fifth Hammer is a record made for you. The latest work from songwriter and multi-instrumentalist Martin Walker, under his long-running Art Schop moniker, feels like an artist not just hitting his stride, but fully inhabiting the rare air of seasoned masters such as Bonnie 'Prince' Billy or Bill Callahan.

Read More

In a world where indie pop can sometimes lean too heavily on mood without much heart, Varun Sheel arrives like a burst of sunlight with his new single “shine.” It’s a track that takes the delicate, aching thrill of young love and wraps it in a radiant soundscape, effortlessly blending nostalgic textures with modern indie pop sparkle.

Read More

If ever a track deserved to be the backing score for a futuristic combat sequence or a dystopian heist gone beautifully wrong, Leather Laces’ debut single “Rocket Launcher” is it. Dropped on June 25th, 2025, this ferocious, genre-defying instrumental is a bold mission statement from the Italian outfit and a declaration that they're here to blow up expectations—both literally and sonically.

Read More

If there’s one thing JJ’s Music Retaliation have never been accused of, it’s playing it safe. Known for their searing, experimental approach to genre-bending rock, the band’s latest single, “Angry Doormat,” delivers a sharper, more focused blast of rock fury — ditching much of the cosmic synth haze from their earlier work in favor of punchy guitars, off-kilter rhythms, and vocals that refuse to be ignored.

Read More

Coming hot off the momentum of her breakout run on American Idol Season 23 — where none other than Carrie Underwood declared her “perfection” — Amanda Barise wastes no time carving out her own lane with “Cute and Deadly,” a stunning, self-assured EP that cements the New Jersey native as one of 2025’s most compelling new voices. Dropped on June 25th, just weeks after her Idol journey, this

Read More

With “OVERTHINKING,” East Sussex indie-pop quartet Wild Horse deliver one of their most effortlessly infectious and emotionally earnest tracks to date — a vibrant, summer feeling anthem that captures the jittery, exhilarating headspace of new love with both precision and unfiltered joy. Written by the band’s frontman Jack Baldwin and produced by Gary Stevenson, the track affirms the band’s remarkable ability to bend genres while remaining rooted in their distinctive, groove-laden, feel-good sound.

Read More

BdotJeff has continued to carve his own lane — one where Hip-Hop meets Punk, Metal flirts with R&B, and Pop melts into the underground. His latest drop, “crew. (interlude)”, is a perfect example of that ethos: a brief, heartfelt ode to friendship, community, and memory, delivered over a Latin-inspired alternative hip-hop groove. At just 1 minute and 32 seconds, it’s criminally short — but sometimes, the best stories are told in a flash.

Read More

Atlanta’s ever-restless electronic provocateur Sporty-O makes a thrilling return with “Blue Lights,” a riotous new single that feels like a midnight street race rendered in bass house and breakbeat. Just dropped on June 24th as the lead single from his upcoming Symphonic Resistance EP, it’s a kinetic, genre-hopping statement piece — a reminder that Sporty-O hasn’t lost a step when it comes to fusing underground textures with undeniable club energy.

Read More

Quentin Moore has always had a gift for channeling vintage soul through a modern lens, and with Ride With You, the indie-soul artist delivers one of his most infectious, feel-good tracks to date. It’s a smooth, swaggering anthem that turns life’s simplest moments into scenes from a love-soaked, groove-heavy Southern romance. Moore doesn’t just capture nostalgia here; he reshapes it, blending classic ‘70s warmth with a fresh, contemporary polish that makes the track feel timeless and vital in equal measure.

Read More

Australian-born, LA-based pop provocateur Jeffrey Chan plants his flag deeper in the neon-lit landscape of queer electro-pop with Boys Like Us, a bold and unabashedly seductive EP that wears its heart on its sleeve. Just released recently on June 20th, the record is a reflection of queer nightlife — where sex, gossip, and joy swirl together under the pulse of a bass-heavy, mirrorball glow.

Read More

Ashley Mora arrives on the scene with Tease, an emotionally charged debut single that makes it clear she’s not here to fade into the background. Recorded in the heart of New York City, the track captures the push-pull of modern romance with striking clarity, a relatable gut-punch for anyone who’s been dangled on the line of someone else’s indecision. It’s a song about those unspoken moments we endure but rarely admit, laid bare over a sleek pop-rock production.

Read More