Charlsey Miller has always carried her roots with her, from her Kansas City upbringing where country radio and blues records taught her how to sing her feelings, to her current home in the California desert, where she now writes and records surrounded by dust, magic, and solitude. Her new EP, The Flower, is her most personal and captivating work yet, a four-song collection that feels less like a performance and more like paging through a weathered scrapbook of memories.
Read MoreWith “Attitude Change,” Rusty Reid delivers the kind of song that makes you want to roll down the windows, crank the volume, and let all your stresses ease. It’s a 3 minute burst of feel good rock and roll, alive with the spirit of classic Americana and the timeless drive of jangling guitars.
Read MoreAfter more than three decades away from the recording studio, Glenn Greenhill has reemerged with Cognito, a sprawling 82-minute, 12-track masterwork that feels both like a culmination and a bold new beginning. Released digitally at the end of August 2025, with a double vinyl pressing scheduled for autumn 2026, the album is a reminder that true artistry only ripens with time.
Read MoreVân Scott has been making the rounds in Hollywood for years now, lending his voice to countless projects. But with “Turn Off the Tears,” the latest release from Scott Oatley under his artist moniker, he proves that his stories are just as compelling as any blockbuster he’s sung behind. What emerges is a soaring, deeply personal anthem of resilience and catharsis, one that takes private heartbreak and transforms it into something universally uplifting.
Read MoreThere’s something instantly refreshing about a band that strips away the excess of over-production and leans into legitimate authenticity. With “Keep On Rockin’,” their fourth single, Basel-based LUNA & The Gents deliver exactly that, a rollicking, optimistic anthem rooted in classic instrumentation, recorded entirely live in the studio without the crutches of AI, plugins, or samples. It’s a three-minute shot of joy that radiates confidence and the sheer thrill of optimism.
Read MoreOn their sophomore album (second release in 2025) Husfikbur, the Spain-based project of Sehore proves they’re not just a new name to watch, they’re already carving out a distinct lane. Following their 2025 debut Ladencia, the band returns with a more expansive and emotionally resonant record that showcases their growing confidence in sound and storytelling.
Read MoreFreeFall. aren’t wasting a single second of time making their mark. The Swansea-based indie rock/post-punk outfit have spent the past year building a reputation as one of the UK’s most exciting young bands, earning over 100,000 streams, playing live at the O2 Academy, and proving they can channel raw energy into songs that stick in your head for literal days at a time.
Read MoreWith “Sweet Foxhound,” The House Flies immediately prove that their brand of gothic post-punk is anything but recycled sound. The Midwest collective has returned after 2024’s Mannequin Deposit with a single that feels both born of that same era and yet perfectly evolved. Listeners are transported into an atmospheric immersion from its guitar swells, groovin’ basslines, and vocals that hypnotize as much as they haunt. It creates an almost cinematic feel that builds and builds until it crashes over you in waves.
Read MorePrince Philippe has always carried himself like someone meant to blur boundaries. Raised in Verona in a family of musicians, formally trained in both modern and jazz, and later tempered by the grind of Atlanta’s R&B scene, his trajectory is anything but conventional. That mix of worlds comes alive in his latest single, “Hour of Need”, a vibrant pop-R&B track that not only grooves effortlessly but also signals a new era for the young artist as he prepares to roll out his ambitious project TGT through 2025 and 2026.
Read MoreZack King has bottled up the restless energy of pop-punk’s golden age and unleashed it with a modern edge on his new album, Songs I Wrote Instead of Texting You. Across twelve tightly wound tracks clocking in at just under half an hour, King brings the same giddy urgency and emotional candor that made the genre iconic, while carving out his own voice as both a torchbearer and innovator.
Read MoreOn “THANATOS,” MURDAH SRVC pulls off something that feels like a time capsule! It’s a track that could easily have soundtracked the dancefloors of the late ’90s while feeling fully alive in 2025. At its core, the song channels the irresistible pull of dance and house music, yet it refuses to be just another nostalgia trip. Instead, it uses that familiar foundation as a springboard for something richer and more cinematic.
Read MoreWith “L’instant d’après”, Indolore returns and manages to condense an entire world of feeling into just two minutes. The French singer-songwriter has long been admired for his understated ability to balance fragility with strength, and this new single, his first from the upcoming EP La Vide Face A, is perhaps his most distilled statement yet.
Read MoreA song that’s immediately timeless yet modern, pulling from the classics while carving out a new lane of their own. Bruno D’Ambra’s latest single “Kind of Love,” is one of those rare gems. It’s a three-minute slice of joy that blends jazz sophistication with Mediterranean warmth and filmesque style. Released on September 1st, 2025, the track fully reaffirms his reputation as one of London’s most inventive musicians.
Read MoreIn a hip-hop landscape where trend chasing often dominates, John Keenan has gone the opposite direction. Wreckage of the Past is a sprawling, 18-track experience of independence & personal excavation. Written, produced, mixed, and mastered entirely by Keenan, the album is as uncompromising as it is ambitious. It fuses hip-hop with funk, jazziness, and orchestral textures.
Read MoreThriving on its own contradictions, turning “perceived” limitations into strengths, she’s managed to crack the code here. That’s exactly what Lucid Letters achieves with “Briefcase,” a clever and confident self-aware single that plants its flag at the intersection of 90’s hip hop homage and pop vision. It’s bold, stylish, and loaded with personality, making the kind of track that makes you lean in, and then keep replaying because it’s just that addictive.
Read MoreBrooklyn-born punk rock band Tired Radio have always thrived on emotion, grit, and the kind of unfiltered honesty that makes their music feel less like performance and more like confession. On Hope in the Haze, their latest LP and first release through Red Scare Industries, the band sharpens that edge into something even more compelling: a 35-minute masterclass in anthemic punk that is as bruising as it is uplifting.
Read MoreSoulful yet unassuming, gospel-rooted yet supple enough to glide through folk and R&B with ease, this record has it all! On Ripples of the Past, Ray Curenton’s most intimate and stripped-down album to date, that voice becomes the centerpiece of a project that feels less like a collection of songs and more like a memoir set to music.
Read MoreAt only 20 years old, Atlanta native Ben Heinze, better known as 4 YEARS LATER, has crafted a full-length album that feels as self-assured as it is deeply vulnerable. Make Me Make Sense, released August 22nd, 2025, is more than just an introduction; it’s a declaration of intent from an artist who has figured out how to take the chaos of youth and translate it into something beautiful, resonant, and profoundly human.
Read MoreHilary Cousins has always carried himself like a songwriter who understands the weight of tradition but refuses to be shackled by it. With his newest single, “Road to Corinth”, he steps firmly into that lineage of indie folk-rock storytellers who draw from the past to illuminate something raw and present. What emerges is a track that is both timeless in its Americana roots and refreshingly bold in its construction.
Read MoreThere’s something quietly radical about an artist who chooses restraint in an age defined by excess. On his debut album Joya, Josi Costi steps away from the noise and distraction of modern production and instead embraces intimacy, warmth, and a raw experience. The result is a collection of songs that feel as lived-in as the Richmond home where they were recorded. It’s honest and brimming with the quiet confidence of a songwriter finally finding his voice.
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