With “Sonnen Blume”, the Staffordshire-born artist who borrows the same name steps confidently into the spotlight, delivering a debut album that feels less like an introduction and more like the arrival of a fully realized dream-pop veteran. Across ten tracks written over the last decade, some that are brand new and some carrying the weight of years, Sonnen Blume has let loose a record that shimmers with introspection and endless atmosphere.
Read MoreWith “Game of Love,” Michellar steps into a new chapter, one that’s undeniably brighter and groovier without sacrificing the emotional nuance that has always shaped her songwriting. The track is a collaboration with Rad Datsun, and together the two create a world where affection, tension, and chemistry swirl in a smooth, irresistible groove. It’s easily one of Michellar’s most spirited offerings to date, a refreshing shift in tone too.
Read MoreWith “Time Passes,” London-based artist Vianne delivers the kind of neo-soul gem that feels both intimately handcrafted and expansively cinematic, the rare track that opens a window into someone’s inner world while offering listeners a mirror to their own. Released on November 14th, 2025, the single stands as proof to what can happen when vulnerability, craft, and collaboration meet at precisely the right moment.
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Read MoreChris Bull has always had a gift for turning personal experience into something melodic, and strangely communal. As the former frontman of Manchester’s indie-rock band City Reign, he carved out a space in that scene that stood out. But now with his new project Every Other Weekend, he’s back in action with an outstanding debut “Come Back (When You Feel Like)” that feels undeniably fresh and timeless. Everything he’s gone through has led him to this and we’re fully on board with this new journey!
Read MoreJoeJas hasn’t just built a world, he’s driving the bus straight into it at full speed, grinning out the window, and daring you to hop on. His latest single and video, “Last 108 Ride,” is a reminder that hip-hop still has room for the weird, the visionary, and the relentlessly inventive. It’s a masterclass in production and visual storytelling from an artist who treats his music always like a delicate piece of art.
Read MoreWith the re-release of I’ll Understand, Dare, and Colors of Your Eyes, Ripsime isn’t only revisiting her past, rather she’s reclaimed it. The launch of her own imprint, RIP Records, marks a bold new chapter in her music, but these three early songs remind us that the foundation of her vision was always intact. You’re about to experience a ton of raw emotion, endless experimentation, and a voice that holds them all together. Presented alongside a limited-edition art print crafted by the artist herself, this trio of singles is so much more than just a release.
Read MoreOn Es Así, Anessa steps into the Latin-pop landscape not just as a singer or songwriter, but as a storyteller who’s made every moment count. The Oxnard-born Mexican-American artist has long shown a gift for turning her experience into melody, but this single feels like a moment where her voice, her heritage, and her community converge with perfect clarity.
Read MoreWith Sazerac, Rose White proves once again that she’s one of London’s most compelling new voices. In our opinion, she’s an artist who can blend soul, jazz, and pop into something effortlessly stylish, emotionally charged, and endlessly replayable. The Polish-born singer-songwriter has been steadily shaping her identity over her last few releases, but Sazerac feels like the moment where all her strengths have snapped into focus.
Read MoreEffusion 35’s Rockin' Coal In My Stocking arrives as the rare holiday single that actually remembers to have no frills fun. Instead of leaning on the well-worn tropes of cinematic string sections and angelic choirs, the band goes full electric, plugging in, turning up, and throwing out the idea of a “proper” Christmas song. With its influences on its sleeves like The Kinks or even Spinal Tap ,it still manages to carve out its own cheeky spot in the holiday canon.
Read MoreJeff Hodges has spent years shaping the sounds of other artists, but with “Loco Motive,” the veteran producer turned performer steps confidently into his own spotlight. The founder of Charleston Sound Studios may be best known for engineering massive hits like Darius Rucker’s 10x-platinum “Wagon Wheel,” yet his newest chapter takes him far from Nashville, both geographically and sonically.
Read MoreWith Black Avalanche, Toronto’s One Hundred Moons deliver one of those rare records that feels both instantly familiar and entirely its own. From start to finish it’s an onslaught of dreamy distortion, endless emotion, and an alt-rock grit that hits with the force of its album name. It pulls you in and honestly doesn’t let go until the final notes fade on “Into Nowhere”
Read MoreOn FALLING APART, solomxn. delivers one of his most emotionally clear-eyed releases yet. From the get go, it’s a smooth, shimmering breakup anthem that trades bitterness for honesty, and chaos for clarity. At just 2 minutes and 25 seconds, it’s brief, but a quiet declaration of self-worth wrapped in lush production and silky smooth vocals. It’s the kind of track that lingers long after it ends, not because it’s loud, but because it’s undeniably relatable.
Read MoreWith “All I Want Is Hope and Nothing More,” Rich Chambers plants his flag firmly back into the terrain he knows best with straight up guitar-driven rock ’n’ roll delivered with sincerity, muscle, and more than a little heart. It’s a track that doesn’t try to reinvent the wheel, because it doesn’t need to. Instead, Chambers taps into the timeless power of a fantastic rhythm, a soaring vocal line, and a message that hits with surprising emotion. The result is a classic-sounding rock anthem that’s as refreshing as ever.
Read MoreWith In My Head, a compact two-song EP that feels far larger than its runtime, CS Hellmann steps boldly into a new era of identity. The Nashville-based artist has long shown flashes of ambition, but here he hones a vision that’s both more daring and more intimate. What he’s delivered is a tight yet expansive work that pulls you into its atmosphere from the first second and doesn’t let go until the final note wraps up.
Read MoreAfter a 13-year disappearance that left a noticeable gap in the Atlanta indie-rock landscape, Last Relapse return with a project that feels like a massive reclamation. Their aptly titled EP is a five-track reminder of why the band’s early run built a cult following, yet it’s also proof that time apart can sharpen a band’s vision rather than splinter it. This is a reunion that doesn’t simply revisit past glories, it expands them into something immersive, emotionally charged, and endlessly replayable.
Read MoreWith The Great Dying, Seattle sister trio Sad Dad Autumn step out of their century-old home and into the indie-folk spotlight with one of the most striking debut albums of the year. The Holgate sisters, Leah (20), Lily (15), and Lilah (11), have created a cinematic, emotionally layered journey that feels far beyond their ages, weaving grief, mythology, and raw humanity into a spellbinding narrative.
Read MoreWith Pertinax, the husband-and-wife duo Suris, Lindsey and David Mackie, have crafted a work that feels incredibly timeless and forward-thinking, a lush record that embraces art rock ambition with pop precision. Across thirteen songs and forty-six minutes, the album unfolds like a cinematic journey, equal parts dreamscape and confession. For us, it invited us to slow down and savor its rich emotional and endless detail.
Read MoreOn her latest, “Two Moons,” internationally acclaimed guzheng virtuoso and emerging guqin performer Bei Bei offers an outstanding look into her forthcoming full-length album of the same name, set to arrive February 20th, 2026. As the title track, it encapsulates everything that makes Bei Bei one of the most innovative artists working in global contemporary music today. It undeniably features reverence for tradition, a complete mastery of her instrument, and a modern sound that bridges centuries of style.
Read MoreWith “So Arbitrary,” Kadjavsi close out their newest album Above Albatross on a note of quiet devastation and breathtaking beauty. The Bucharest-based project, spearheaded by singer-songwriter Nikita Dembinski, has always shown a knack for weaving introspection into atmospheric arrangements, but this track stands out as their most emotionally layered and sonically arresting work yet.
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