With “A New Year’s Wish,” Amelina delivers a holiday anthem that feels less like a Christmas-card cliché and more like the opening scene of a coming-of-age film. It’s one where the protagonist decides this is the year everything changes. It’s a pop-rock firecracker of a song bursting with optimism, electric guitars, and the unmistakable glow of someone stepping boldly into a new chapter.
Read MoreOn their debut EP Never Run Dry, London quintet Testaments stake a bold claim as one of the most forward-thinking forces in modern jazz, and we mean that. Across four sprawling tracks and nearly 39 minutes, the group expands the boundaries of improvised music without losing the emotion that anchors truly great songwriting. It’s an ambitious first statement, rooted in bassist and songwriter Mark McQuillan’s lyrical instincts and built in chemistry of a band that have hit on all cylinders.
Read MoreWith “ALL I CAN DO (time)”, Mumbai-born producer Tej continues a skyward climb, delivering an emotional and wildly addictive single that places him as one of electronic music’s most exciting new forces. As the third release from his upcoming debut EP HEY ME, IT’S ME, and arriving via San Holo’s Bitbird imprint, the track feels like both a reflection and a full-throttle flex of sound and style. At only 25, he’s tapped into a sound that’s unmistakably his own and we haven’t been able to get enough of it.
Read MoreOn Chocolat, the latest single from her forthcoming EP The NY Tapes, Chloé French continues to cement herself as one of the most exciting young voices out there. She’s been effortlessly blending European elegance with New York’s buzzing edge and at only 24, she’s already shaping a signature sound. To say it’s sleek, magnetic, or dripping with style would be a severe understatment and Chocolat might be her tastiest single yet!
Read MoreOn their sophomore album Dark Spark–White Light, Sugar Scars don’t just sidestep genre conventions, they’ve absolutely obliterated them. The dual-nation duo, splitting their creative DNA between El Paso and Juarez, returns with an 11-track, 32-minute blast of invention that is so unbelievably fresh. Their debut, Rhythmic Body Reflexes, earned them underground acclaim for its fearless experimentation, and we loved it when we reviewed it.
Read MoreWith Christmastime, the Nourallah Brothers return after twenty-five years not with a grand statement, but with something far more meaningful. It’s a reunion not driven by trying to revive past glory, but by the simple, irreplaceable joy of collaboration and that sincerity of it all radiates so nicely through every second of this quietly beautiful holiday original.
Read MoreOn their first, “Flowers,” the Dirt Preachers Union don’t just dust off a rarely heard Paul Kamanski gem, they’ve absolutely ignited it. This isn’t a reverent cover or a gentle tribute. It’s a full-throttle, Americana-soaked resurrection delivered with the enthusiasm of a band honored by the material and unafraid to make it roar. Even better, they managed to get Beat Farmers legend Joey Harris joining the ride which is where the track instantly becomes more than a cover.
Read MoreWith “Sonnen Blume”, the Staffordshire-born artist who borrows the same name steps confidently into the spotlight, delivering a debut album that feels less like an introduction and more like the arrival of a fully realized dream-pop veteran. Across ten tracks written over the last decade, some that are brand new and some carrying the weight of years, Sonnen Blume has let loose a record that shimmers with introspection and endless atmosphere.
Read MoreWith “Game of Love,” Michellar steps into a new chapter, one that’s undeniably brighter and groovier without sacrificing the emotional nuance that has always shaped her songwriting. The track is a collaboration with Rad Datsun, and together the two create a world where affection, tension, and chemistry swirl in a smooth, irresistible groove. It’s easily one of Michellar’s most spirited offerings to date, a refreshing shift in tone too.
Read MoreWith “Time Passes,” London-based artist Vianne delivers the kind of neo-soul gem that feels both intimately handcrafted and expansively cinematic, the rare track that opens a window into someone’s inner world while offering listeners a mirror to their own. Released on November 14th, 2025, the single stands as proof to what can happen when vulnerability, craft, and collaboration meet at precisely the right moment.
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Read MoreChris Bull has always had a gift for turning personal experience into something melodic, and strangely communal. As the former frontman of Manchester’s indie-rock band City Reign, he carved out a space in that scene that stood out. But now with his new project Every Other Weekend, he’s back in action with an outstanding debut “Come Back (When You Feel Like)” that feels undeniably fresh and timeless. Everything he’s gone through has led him to this and we’re fully on board with this new journey!
Read MoreJoeJas hasn’t just built a world, he’s driving the bus straight into it at full speed, grinning out the window, and daring you to hop on. His latest single and video, “Last 108 Ride,” is a reminder that hip-hop still has room for the weird, the visionary, and the relentlessly inventive. It’s a masterclass in production and visual storytelling from an artist who treats his music always like a delicate piece of art.
Read MoreWith the re-release of I’ll Understand, Dare, and Colors of Your Eyes, Ripsime isn’t only revisiting her past, rather she’s reclaimed it. The launch of her own imprint, RIP Records, marks a bold new chapter in her music, but these three early songs remind us that the foundation of her vision was always intact. You’re about to experience a ton of raw emotion, endless experimentation, and a voice that holds them all together. Presented alongside a limited-edition art print crafted by the artist herself, this trio of singles is so much more than just a release.
Read MoreOn Es Así, Anessa steps into the Latin-pop landscape not just as a singer or songwriter, but as a storyteller who’s made every moment count. The Oxnard-born Mexican-American artist has long shown a gift for turning her experience into melody, but this single feels like a moment where her voice, her heritage, and her community converge with perfect clarity.
Read MoreWith Sazerac, Rose White proves once again that she’s one of London’s most compelling new voices. In our opinion, she’s an artist who can blend soul, jazz, and pop into something effortlessly stylish, emotionally charged, and endlessly replayable. The Polish-born singer-songwriter has been steadily shaping her identity over her last few releases, but Sazerac feels like the moment where all her strengths have snapped into focus.
Read MoreEffusion 35’s Rockin' Coal In My Stocking arrives as the rare holiday single that actually remembers to have no frills fun. Instead of leaning on the well-worn tropes of cinematic string sections and angelic choirs, the band goes full electric, plugging in, turning up, and throwing out the idea of a “proper” Christmas song. With its influences on its sleeves like The Kinks or even Spinal Tap ,it still manages to carve out its own cheeky spot in the holiday canon.
Read MoreJeff Hodges has spent years shaping the sounds of other artists, but with “Loco Motive,” the veteran producer turned performer steps confidently into his own spotlight. The founder of Charleston Sound Studios may be best known for engineering massive hits like Darius Rucker’s 10x-platinum “Wagon Wheel,” yet his newest chapter takes him far from Nashville, both geographically and sonically.
Read MoreWith Black Avalanche, Toronto’s One Hundred Moons deliver one of those rare records that feels both instantly familiar and entirely its own. From start to finish it’s an onslaught of dreamy distortion, endless emotion, and an alt-rock grit that hits with the force of its album name. It pulls you in and honestly doesn’t let go until the final notes fade on “Into Nowhere”
Read MoreOn FALLING APART, solomxn. delivers one of his most emotionally clear-eyed releases yet. From the get go, it’s a smooth, shimmering breakup anthem that trades bitterness for honesty, and chaos for clarity. At just 2 minutes and 25 seconds, it’s brief, but a quiet declaration of self-worth wrapped in lush production and silky smooth vocals. It’s the kind of track that lingers long after it ends, not because it’s loud, but because it’s undeniably relatable.
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